What Is Cinema (Blogging)?
Via Glenn Kenny's blog, I found out that this Cineaste piece-- which I had initially heard about via the comments thread at Jonathan Lapper's blog--is now online for your perusal. It's a piece about Film Criticism in the Age of Blogging, and I highlighted my path of discovery before mentioning what the article was about to suggest that such linkage and wandering is one of the key aspects of said Age: the ability to make connections and follow tangential threads across a series of heretofore stratified subject areas, media and writing styles (like an allusive game of Theory Hopscotch). The Cineaste piece explores the good/bad of this blogging era, and includes wonderful pieces from Self-Styled Siren, Jonathan Rosenbaum, Kenny, Filmbrain, and many others. In his section, Kenny asks if blogging has produced an Andre Bazin, and says he's not certain (although he offers up David Bordwell as one possible answer; I might have offered up Girish, who seems much more in tune with the poetics and constant questioning of Bazin's best work). But what the best blogs suggest is that this question is something of an anachronism, as odd as comparing Cahiers du Cinema and theater criticism (and then wondering why the former isn't like the latter). For me, the model for blogging (filmic or otherwise) is less writing (especially the essay) than it is dance or pop music. It crafts a duet between writer and text, and between posts and comments, that comes at the reader as a series of riffs and improvisations, or imaginative choreography between ideas and texts: at once analytic, conversational, quotational, romantic, angry, searching and witty. If it works, the concept will eventually give way to the groove.